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    Tag Archives: TELEVISION

    Dear Junior Series // 04

    steph

    For some, finding a job can be as difficult as drinking a pie through a straw. It smells good but no matter how hard you suck, you never quite get to taste the meaty broth. You suck and suck until a piece of corn gets stuck halfway and you have to get a new straw and try again. For others, job-hunting is as easy as eating a pie with your hands. The difference was that person number two knew that eating a pie with a straw is for retards who don’t know how to eat. Steph Loupelis had hardly finished uni and she was already gobbling down a big, juicy cherry pie with both hands, landing herself a job at MTV. Clearly this was someone who knew how to eat a pie/get a job. We asked her a couple of questions about landing a job at MTV, and not about eating pies.

    Junior: So you work at MTV? We’re pretty sure there’d be kids camping out to get a job like that. How did it come about?

    Steph: By chance actually! I was working at my mum’s restaurant and got chatting to a lady whose daughter worked at MTV in Melbourne (at the time there was only two people working at MTV Melbourne. So it was definitely a fateful soy latte!). I told her I was about to graduate from Professional Communication at RMIT, and had no idea what I was going to do with myself. I had majored in PR, but had been so busy working two jobs throughout uni to pay my rent, I had no time to do an internship or work placement - which apparently put me well behind other graduates (looking back I realize this is total BS).  She suggested I call her daughter to have a chat about career options for inspiration, which I did.

    When I called, I found out that they were actually looking for an entry level sales coordinator at MTV Melbourne and would I be interested in applying? Hell yes. Even though I had no “experience”, they were after someone with a solid degree, knowledge of the media industry, and a good personality fit for MTV.

    About three months after our initial conversation I was offered the position and the rest is history!

    Jr: Wow-ee! Definitely a fateful soy latte. So what does a normal day at the office involve for you?

    S: It’s crazy! After two years as a sales coordinator, I’ve recently become an account manager and look after some major media agencies in Victoria. This definitely keeps me busy until all hours. The day involves meetings with agencies and clients to discuss briefs, communication with our internal departments to ensure the best response on these briefs, the management and servicing of campaigns and then the post analysis. Then there’s the organization of events, entertainment, parties… The list goes on.

    At the risk of sounding like a total loser, it really is one of the coolest jobs in media! You work incredibly hard, but you get to play hard when you’re done.

    I’ve taken clients to the last three MTV Australia Awards (and of course their famous after parties) in Sydney, plus concerts, parties and countless super cool MTV events in both Sydney and Melbourne.

    Just last week I went up to Sydney on a Wednesday afternoon to take some clients to a taping of MTV’s local music show The Lair, and watched De La Soul perform in front of an intimate crowd of Jager-shotting celebs, partied into the wee hours and then was back at my desk in Melbourne at 9am… I love my job.

    Jr: We certainly would too if we was you. OK, so this line intrigues us, “I had no time to do internships/work placements etc which apparently put me well behind other graduates (looking back I realize this is total BS).” Why didn’t an internship or work placement put you behind in the job-hunting challenge?

    S: I guess what I meant here is that I loved studying public relations, but throughout uni was constantly being told that if I wanted a decent job in PR after graduating, I’d need to do internships/unpaid work placements to get a foot in the door. When you have real life bills to pay, this is not always an option! After leaving uni and entering the industry, I realised that a lot of the time it’s more about personality and work ethic, and the experience comes naturally through learning on the job.

    Jr: If you had any advice for graduates looking to get in anywhere, what do you suggest is the best way to go about it?

    S: I think it’s so so important to take a step back after graduating, and figure out your priorities after removing yourself from the whirlwind that is the final semester of final year! It can be such a stressful time, and there can be a lot of competition and pressure to deal with.

    My advice would be to have a think about brands/companies that mean something to you. Brands that somehow speak to you in a way that you appreciate and support. I always had in my head that I wanted to work somewhere cool like MTV, but had no idea they even had an office in Melbourne! A little google-ing can go a long way, and this is where a bit of research and brand knowledge will definitely help you in situations where you’re being considered for jobs. This way, if you bump into someone in the street or get chatting to someone at a café, you have the confidence and background knowledge to set yourself apart from everyone else. And you’d be surprised how often you’re asked about what brands embody “you” in job interviews. It’s a really good way for potential employers to gain valuable insight into both your personality, and what kind of industry/brand knowledge you have.

    Basically, be yourself and try not to get disheartened when your ‘career’ isn’t progressing as you had planned in your head. The most important thing is to be confident and passionate about who you are and what you do, and the rest will all just fall into place.

    DEAR JUNIOR, TELEVISION | Also tagged DEAR JUNIOR, JOB HUNTING, MTV, PUBLIC RELATIONS

    Tag Archives: TELEVISION

    The Interview Series // 11

    toddlamb

    What does one say about writer and artist Todd Lamb (http://web NULL.mac NULL.com/lambtodd)? This guy is an enigma wrapped in a mystery wrapped in a girl’s hoodie. He’s one of those guys who has ‘a finger’ in a lot of ‘pies’, but above all else is a genuinely funny guy. And when we say genuinely funny guy we actually mean fucking hilarious man of steel with balls the size of Obama’s brain. Before settling in New York City, Todd spent his years at three highly awarded US ad agencies, has written for several publications, had books published, directed TV commercials, done his fair share of stand-up comedy and has a world record for sitting on Whoopee Cushions recorded on Jimmy Fallon live. He’s also writing and developing an animation series called the Bloody Band Aidz. Did we mention he won an Emmy? No? Well he’s got one of those too. So although he may be an enigma with big balls, he definitely knows how to get shit done and win praise for it. We talked over email and this is what happened…

    Junior: Hey Todd. First thing’s first, we heard you won an Emmy? Is it real?

    Todd: Not only is it real, it’s shiny, golden and buried in my parent’s basement. When I lived in San Francisco, I stored it in my refrigerator to guard my beer and yogurt. Now it’s in Chicago, in a box until further notice (forever).

    Jr: You’ve worked at W+K Portland, Goodby Silverstein in San Fran, and Mother in New York. How did you go from uni student to working at three of the world’s great agencies?

    T: “The world’s great agencies”. That’s funny. They’ve done great stuff, but it’s important to know that these are businesses, just like a pet store or a fruit stand. You should be aware of that. This isn’t a bunch of hippies sitting around a commune, cracking jokes.

    The one thing I did do is go to school, worked hard, finished school, and now I write every day. Writing is such a great skill to work at and grow with. After you find your voice, you can expand endlessly on it for your whole life. Great writers are unstoppable. No one can touch them.

    Jr: We’re getting so bored of advertising. We’ve been doing a lot of ad interviews lately. How do you feel about advertising as a non-vapid alternative guy with a beard and some sense who’s seen some success in his career?

    T: I had to look-up the word “vapid (http://www NULL.yourdictionary NULL.com/vapid)” to know what you were talking about. (Editor’s note: Sorry man. Next time we won’t use a thesaurus.) I can tell you this: I do have a beard. That makes me the object of every straight woman’s desire and every lesbian’s secret fantasy.

    Advertising can be an amazing way to make things and collaborate with talented people. When the stars line-up: agency, client, co-workers, ideas—that feels nice. But, you should be very picky about who you give your ideas to and who you spend your time with. In the end, surround yourself with nice people that you genuinely trust, and you’ll be OK.

    Jr: You’re freelance now, and it sounds like you’ve been quite busy. For the younger freelance readers out there, (who may be writers, designers, film-makers, photographers, etc) have you any tips on making contacts and picking the right jobs?

    T: I just read in a book about chess that the word “freelance” comes from a soldier who would take his sword wherever they needed him, to fight in return for payment. Hence, the word “free” and “lance” together. I like that. I don’t have any advice other than freelancing is 100% gambling. It’s unsteady and with no guarantees. So you better be brave and you better be OK with falling flat on your face. But I recommend everyone try it, it is a different way to live.

    Jr: Ok, so writing. You’ve done quite a bit of ‘extra-curricular’ writing outside of your daily work…

    T: The idea of “extra-curricular” doesn’t exist. Writing is writing. Everything is valid and every form (ads, television, short films, books, magazines, the internet) needs good, humorous writing. Nowadays it’s all the same. This is a great thing for young people because there are so many choices.

    Jr: We hear you’ve been working on an animation series about band-aids. We have friends who are super keen to start writing scripts and pitching them but have no idea where to start. What’s the process been for you so far?

    T: It’s called the Bloody Band Aidz (http://www NULL.bloodybandaidz NULL.com) (www.bloodybandaidz.com). We developed it for a cable network. TV show development is a crazy thing. It takes people years to get a show on the air. Whether you’re Andy Richter or Dave Chappelle or someone else, the fame doesn’t always help you in the development process. It’s kind of like a two-year version of pitching an idea for a magazine article, but there’s a good chance you won’t get to do the project. So, if you want to try inventing a new TV show, know that it takes patience.

    Jr: Man, we saw you on Jimmy Fallon (http://urdb NULL.org/Content/RecordDetail NULL.aspx?id=374) too, and we’ll go out on a limb and say it was a wince (http://urdb NULL.org/Content/PostDetail NULL.aspx?id=6) – just for the record. How did that whole shebang come about?

    T: There is a thing in NYC called the Universal Record Database (http://urdb NULL.org/) which is a monthly event on stage where people can break world records. It’s part stand-up comedy and part “feats of strength”. So, Jimmy Fallon’s producer saw some of the videos on the site and asked us to come on the show. It was a great time. Jimmy Fallon is such a nice guy. He was so gracious to his guests. To watch him work is amazing.

    Jr: We should probably say something about the Chris posters (http://web NULL.mac NULL.com/lambtodd/iWeb/todd%20lamb%20/Todd%20Lamb%20Notes%20From%20Chris NULL.html). The story has become a bit of a sensation (http://www NULL.theage NULL.com NULL.au/national/artist-blasts-poster-plagiarist-craig-20090316-8zh2 NULL.html) down here is Oz. We need the hits so bear with us. Why did you do them in the first place and how do you feel about the dude who ripped you off?

    T: I did “Notes From Chris” (http://web NULL.mac NULL.com/lambtodd/iWeb/todd%20lamb%20/Todd%20Lamb%20Notes%20From%20Chris NULL.html) to make people laugh. It’s that simple. To make people’s day better and to entertain myself along the way.

    So, some guy in Australia tried to steal the posters, even word-for-word in some cases. I think the act of taking someone’s ideas and claiming them as your own is the lowest thing a human being can do, other than crapping on the hood of your neighbor’s car. Desperate people do things like steal. But thankfully, the guy who tried to steal my idea got exposed by the media and called-out as a thief.

    “Notes From Chris” is my ongoing project, so you’ll see more of them soon around NYC and online. Stay tuned to www.toddlamb.net (http://www NULL.toddlamb NULL.net)

    Jr: And finally, say there’s some budding comedy writers out there who are keen to be a sponge and learn their shit. Got any suggestions for books or mags or movies they should be sponging?

    T: Albert Brooks, Woody Allen, Conan O’Brian, Letterman, Freaks And Geeks, Mr. Show. I find 30 Rock to be totally amazing and brilliant. The list goes on forever and everyone has their own comedy taste. No one is right and no one is wrong.

    Get a Netflix account and watch everything funny that was ever made. Then get some sleep, have a cup of coffee, think real hard, and go make some funny stuff.

    ADVERTISING, FILM, THE INTERVIEW SERIES, WRITING | Also tagged ADVERTISING, ANIMATION, COMEDY, EMMY, FREELANCE, NEW YORK, THE INTERVIEW SERIES, TODD LAMB, WRITING

    Tag Archives: TELEVISION

    The Interview Series // 05


    Cut and paste. It used to mean scissors and clag, now it means ctrl+x and ctrl+v. Be that good or bad, it’s still an art form. And for some, it’s also a career. Jack Hutchings is one of Australia’s top cut and pasters. He’s a film editor with an eye for storytelling and now runs his own editing studio, The Butchery (http://www NULL.thebutchery NULL.com NULL.au/). Now we love having a yarn now an then, but Junior has really upped the stakes. Jack invited us over to his studio for gourmet North Melbourne pizza and a row of beers. Yes, awesome. But what came out of our beer fueled yarn was a portrait of a creative who had made it his own way – without climbing ladders, stroking egos or taking his time. And yes, he gave us a few tips on how to do the same.

    Junior: Start by telling us what you do.

    Jack: I’m a film editor and I edit television commercials, short films and occasionally longer films. In fact, very, very occasionally because I’ve only done one – and it isn’t finished yet.

    Jr: Oooh. We’ll keep our eyes peeled for your line in the credits. You own and run The Butchery (http://www NULL.thebutchery NULL.com NULL.au/), how’d that come about?

    Jack: Well, I was freelance editing for six or seven years, cutting for directors here and overseas. But I got bored of working in other people’s spaces as a freelancer and wanted to create something that was mine. So The Butchery is that. It’s an extension of the space I wanted to work in. Unfortunately it doesn’t really work being freelance and being the only person in the space – so what have I got to do? I’ve got to get another editor to work in the place, and someone to clean up after us and look after our shit and boss us around as well as look after agency people that come in and pander to directors and their needs and wants.

    Jr: So how did you start out in editing?

    Jack: I started a little company with a guy I was friends with at the time, and we started doing anything and everything we could to do with film. Things like making little video clips, shooting little promo things and cutting people’s Tropfest films together and other such stuff. Then I started freelance editing because I started cutting for someone and realised I’d found something I totally loved doing.

    Jr: Did you know it was even a job? To edit something?

    Jack: I knew there were people doing it, but I had no idea that I would like it. I didn’t know any editors, put it that way. So I was self-taught. I went into this production company with a reel of stuff that I’d put together over the years. And went hey, I can do this.

    Jr: Was it good?

    Jack: I watched it a few years later, and was like “oh my god.” But the funny thing was that one of the directors that I’d showed the ‘reel’ to – I’m now cutting his feature film with him right now. The first job I did with him was in 2000. It was a music video that I did for no money. I’d got a call from the reel I’d sent them and they’d liked it. They said, “hey! Come in, we’ve got no money, but we’ve seen what you’ve done and we liked it. We saw something in it, so come in, we need someone”. A few years later the same guy told me, “look, it wasn’t what was on the reel, it was that you’d made shit into something. You’d taken shit and polished it, so I knew that if I gave you something half decent, you’d make it better than what it was.”

    That video ended up doing really well for them, it was for a local band, Magic Dirt. And it did more than they anticipated. The two of us had a natural progression. If you get into a groove with someone you stick with it. So he got into commercials and I started cutting commercials for him. Then other people in the company said, “hey, who is this guy you’re working with?” Then by the end of a couple of years you’re working with everyone in that company.

    Jr: So you made your break by forming an alliance with somebody?

    Jack: Yeah definitely. Finding someone like minded who you go well with, especially when it’s totally chance, has been great. I’d set-up a meeting and a month later they called saying, “we’ve got no money, but come in and we’ll see what you can do”.

    Jr: So all the jobs you started with, they came with that “no money” disclaimer?

    Jack: Yeah they come with that caveat and that’s fine – you have to do it. Film is one of those industries where there’s this idea that initially you’re “having to bend over” to get a way in.

    Jr: Did you have to support yourself then?

    Jack: It’s one of those things where you look back and go, “how the hell did I live?” But you do it because you love it. I drove my shitty little Datsun 1600 or whatever, and had a lot of fun and learned a lot. And the thing with editing is that you do learn a lot. There are always different challenges and thousands of decisions.

    Jr: You know, editing is an enigmatic thing to a lot of people. The funny thing for us is when you go to the MADC (http://madc NULL.com NULL.au) awards and there’s the award for best editing – we have no idea why it’s good editing.

    Jack: Editing awards are impossible because for me an ad shouldn’t get an editing award if it’s not a good ad.

    Jr: So the guy who’s editing the Delfin (http://www NULL.delfin NULL.com NULL.au/) ads – no hope?

    Jack: I don’t know man, best use of logo over 3 seconds maybe? It’s funny the whole advertising awards thing. I’d never really entered before. I’ve never entered an award myself.

    Jr: But you won a silver CLIO (http://www NULL.clioawards NULL.com) just this year didn’t you?

    Jack: Again, I didn’t enter that. Normally now the production company or agency enters the work. I’ve told people that it means more to me that they enter my work than winning itself. The fact that they think, “we like your work and we think it has merit in an international arena”, then that’s enough for me. And I would prefer any job to win a Lion or a best ad, than best editing. Over and above. Easy.

    Jr: So can you really stuff up an ad? Have you seen bad editing stuff up an ad?

    Jack: No comment. Ha. I think you can influence things. It would be really interesting to take the same material and give it to different editors. Most directors have a good sense of storytelling which is what editing is. Peter, who is the young guy working here – he’s 27. He’s been working with me well over a year now. If people say they want to come and sit with me and hang out, then that’s totally cool – he was one of those people. And he had a really good sense of storytelling. There’s really three parts to being a good editor. There’s the story telling part. Then there’s the people skills – which is being able to chat to anyone. Then there’s the technical side of it as well. He’s got all three. Plus he’s done AWARD School and knows what an idea is. He can read a script and get it. And that’s important to me.

    Jr: So how did he come across you?

    Jack: He was directing a music video with a mate. He took over the edit from someone else and did a really good job. Then he stumbled upon me and started assisting me for a while. I had never assisted anyone when I was coming up through the ranks, and I kind of wanted him to do the same thing. I just don’t want people to assist too much, because you can get stuck in a rut if you get too good at your role.

    Jr: We’ve heard that about photographer’s assistants becoming too good. They become known as good assistants rather than good photographers.

    Jack: There’s thousands of assistant editors out there. You know they’re great assistants, but until you actually physically try to put two pieces of film together – that’s when you’re cutting. There’s the watching how people do things and then there’s you, alone, just sitting in front of a computer and trying. You only learn from your mistakes, and you’ve got to make mistakes for yourself. Then there’s all the other pressures – having creative directors in the room, presenting to clients, knowing when not to say anything and knowing when to distract attention away. You know, dealing with difficult people.

    Jr: Have you had a CD tell you you were bad?

    Jack: Yep, one told me, “you’re fucked”. That was pretty early on, and he was just testing me. People like to test you. There’s a lot of people out there with big personalities.

    Jr: Any final tips?

    Jack: Everyone talks, so start doing. It’s not about being told. You don’t want to be an operator, you want to think for yourself. You have to be able to probe the idea. It’s so easy to try things in an edit suite. If you’re a writer it’s like copy and pasting in word. So think for yourself, don’t just be an operator. They’re hiring you for your point of view. So I agree with Penny, if you want to do it, go out and do it yourself. If you want to be a writer, go out and write a blog. Because people will take notice. And that’s the same with me, in my experience, go out and be self-taught. Like you guys, you’ve got Junior with 400 people who have signed up in two weeks. People take notice.

    Jack supplied us with an ad he recently edited. It’s pretty great.

    So here it is. It’s titled Schweppes ‘Burst’:

    FILM, THE INTERVIEW SERIES | Also tagged ADVERTISING, THE BUTCHERY
              
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